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織與氈這兩種纖維技法的對比，具有強烈的物質哲學意涵，因為它們分別象徵著「有序與無序」、「結構與流動」、「意圖與自然發展」。不僅僅是兩種工藝技法，它們代表了哲學中的諸多二元對立及融合。

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其中，「織」象徵著時間逐步達成與規劃，每一段都能追溯過程中的努力與意圖；「氈」的製作則更多強調「瞬間」的轉變，在較短時間內通過摩擦與壓力快速結合，這意味著一種「瞬時永恆性」，結果難以預測。​作為使用這兩種技法為創作主軸的創作者來說，透過這樣的對立與融合，創造出獨特的作品及語彙，並在其中各種實驗性探索，表達對生活、時間、存在與物質本質的深刻思考。

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The contrast between the fiber techniques of weaving and felting carries profound philosophical implications, as they respectively symbolize "order and disorder," "structure and fluidity," and "intention and natural development." Beyond mere craftsmanship, these techniques embody numerous dualities and their potential for synthesis in philosophy.

Weaving represents the gradual realization of time and planning, where every segment reflects the labor and intent embedded in the process. In contrast, felting emphasizes the "instantaneous" transformation, where fibers bond rapidly through friction and pressure in a shorter timeframe. This process evokes a sense of "instantaneous eternity," with outcomes that are often unpredictable.

As a creator who employs these two techniques as the core of my practice, I strive to produce unique works and vocabulary through the interplay and integration of these opposites. Through experimental exploration, I seek to express profound reflections on life, time, existence, and the essential nature of materials.